Five takeaways about Facebook's pivot to audio

CEO Mark Zuckerberg on Facebook's big bet on creators

Five takeaways about Facebook's pivot to audio

On Monday, I had a chance to talk with Facebook CEO Mark Zuckerberg about the company’s plans to build new audio products over the next few months. The occasion for our interview was the opening of Sidechannel, a Discord server I launched over the weekend with some fellow independent journalists. We didn’t know what to expect when we opened the doors, but more than 2,500 people filed in over the first day, and many of them joined us for a lively conversation about Facebook’s rapidly evolving attitudes toward creators.

If you missed the conversation, you can find the audio here on Soundcloud. (Skip to 1:10 to get past my welcome message to Sidechannel members.) There’s also a very rough automated transcript up on Otter, if you like your conversations moderately corrupted by errors in machine learning.

There are at least three big audio bets that Facebook will lay down in the next three to six months, Zuckerberg said:

  • “Soundbites” are a new format for creative, short-form audio that will appear across the company’s suite of products. Think TikTok, but for audio; Soundbites will let you change your sound via filters and other effects.
  • Facebook will become a home for long-form audio as well, recommending you shows and episodes based on your interests and allowing you to consume them inside the app. An expanded partnership with Spotify will bring the company’s audio player to Facebook’s app as well, allowing users to listen to both music and podcasts.
  • Facebook will add Clubhouse-style live audio rooms, which it expects to be popular with groups. Participants will be able to tip creators with Facebook’s digital currency, Stars.

That’s an unusually detailed roadmap of future products for Facebook — Vox reported on some of it yesterday — and it’s probably best assessed when these features actually ship. In the meantime, though, here are five big things that stood out to me from my conversation with Zuckerberg.

Facebook is betting on small business over big business. The idea of a “pivot to audio” refers to the pivot to video, a mid-2010s phenomenon whereby Facebook paid big publishers to create-short form videos for the News Feed. Within a couple years, Facebook began reducing the distribution of publisher videos in the feed, though, leading to hundreds of layoffs in the media industry. (The company also disclosed that it had accidentally inflated viewership metrics during this period.)

At the same time, video succeeded all over Facebook — it just tended to be user-generated video, which created a context for lucrative video ads to be placed alongside them. Facebook’s pivot to video worked great for Facebook; it was the publishers who suffered.

And the company’s audio investments could follow a similar path. The flashing red light I’d look for: news that Facebook is making upfront payments to CNN, the New York Times, or other usual suspects to create short- or long-form audio for the platform.

But to hear Zuckerberg tell it Monday, the audio play is much more about helping the little guy. Here’s what he said when I asked whether Facebook audio was more likely to benefit individual creators than big publishers:

“A big part of the creative economy is that it's enabling individuals, and shifting power from some traditional institutions to individuals to exercise their own creativity. And I think that that's a positive trend in the world. It's really empowering for a lot of people, and allows a lot of new stuff to get created. I think based on that, your prediction that this is likely to work better maybe for individual creators or small groups — I could see that playing out for sure.”

How to moderate live audio is still an open question. Facebook is getting better at moderating text and video content, particularly in the United States. But as a recent series in the Guardian has illustrated, policy enforcement tends to grow weaker the further removed the content is from Menlo Park. 

I asked Zuckerberg how he planned to roll out audio products with good, equitable moderation in place. He told me that the company would be able to take many lessons from what it has learned about monitoring text and video posts for bad behavior. 

But he also acknowledged that there is still a debate over the degree to which audio — particularly live audio — ought to be moderated. If I walk by your picnic table in the park and hear you sharing misinformation with your friends, I’m not going to call the police. If the same conversation took place on Facebook audio rooms, should moderators shut it down? Hide it from recommendations? Or leave it alone?

The jury is still out, Zuckerberg said.

“There’s also this question of what you should enforce against. That’s going to be an open debate. If we go back five years, I think a lot more people were more on the free expression side of things. Today, a lot of people still are, but there's also this rising wave of more people who are basically calling for more stuff to be blocked or limited in some way.

“That set of debates, I think, will be going on forever, in terms of where to find the right line. … I don't take it for granted that just because you have the ability to do different kinds of enforcement, that you should always do every single thing. I think that a lot of the time, you want to be on the side of free expression and allowing people to have more conversations.”

Facebook thinks creators should have more ownership over their audiences. When I wrote about Facebook’s interest in newsletters last month, I noted that an open question was whether writers would be able to keep their email lists if they decided to leave the platform. On Monday Zuckerberg confirmed that they will be able to.

“I think one of the powerful things that Substack has done is making it so that … if someone signs up with them, [and] decides to pick up and go to another place, your subscriber list is yours. And I think that that is a really powerful part of the creator economy, too.”

He continued: “When we talk about giving favorable terms [to creators], it's actually not just the economics. I think it's also the portability, so that we creators know that if they start building up a business here, that they're not just gonna be locked in, and will be able to take it to different places.”

This is a pretty big deal! You can’t export your Facebook Page subscribers or your Instagram followers. Nor can you easily transfer your subscribers on TikTok or YouTube. If Facebook leans into the notion that creators ought to own the relationship with their creators, it could represent the start of a healthy shift in mindset among platforms.

Substack’s margin is Facebook’s opportunity. (See my ethics disclosure about Substack.) One reason some people are bearish on Substack is that the company takes 10 percent of writers’ revenue, which is higher than what it would cost writers to build their own sites on WordPress or elsewhere. For many and even most writers on the platform, that 10 percent might not hurt too much, even when combined with payment processing fees, which are usually around 3 percent. But once you’re making over $100,000 on the platform, the fees could start to sting.

Zuckerberg wouldn’t tell me what, if anything, Facebook plans to charge newsletter writers for using the platform. But it sounds like it’s going to be a lot less than 10 percent:

“The biggest part of our business is not going to be taking a small cut of things from creator tools. So that does give us the opportunity to build tools at potentially more favorable terms, and have more of the economics go to creators.

“If you think about what our interests are in the space, we want this kind of creativity to thrive. We want that content to be out and to be created. We think that that helps foster social connections, helps build community, helps give people things to talk about and share. And that's that's ultimately the bread and butter of what we do.”

Zuckerberg argues that some of the negative attitudes about Facebook are explained by the same forces propelling the success of creators: the shift in power from institutions to individuals. It’s a story that to date has been told most forcefully by people on the losing side of that equation, he told me:

“I think if you look at the grand arc here, what's really happening is individuals are getting more power and more opportunity. To create the lives and the jobs that they want, to connect with the people they want to connect with, the ideas that they want, to share the ideas that they want.

And I just think that that will lead to a better world. It will be different from the world that we had before — I think it will be more diverse. I think more different ideas and models will be able to exist. And I think it inevitably means that some of the people who had control over that world in the past will lose [control].

I can see why those folks will lament the direction that it's going in. But my concern is that we're too frequently telling the negative sides of it, from the perspective of the institutions that may not be on the winning side of these changes. I think the people who are on the winning side of these changes are individuals.

I've learned over the last several years not to be too Pollyanna-ish about this. There are real issues that need to be dealt with. But my own sense is that the narrative is a little too biased, or maybe a lot too biased towards telling the negative side of the issues, rather than all the value and opportunity that is being created. And that's what I care about.”

Lots to think about here, for me and for all of us. 

The Ratio

Today in news that could affect public perception of the big tech companies.

⬆️ Trending up: Facebook is making it easy to export your entire archive of posts to Google Docs, WordPress, or Blogger. Three cheers for data portability! (Taylor Lyles / The Verge)

🔃 Trending sideways: The Oversight Board delayed its decision on whether to reinstate Donald Trump to Facebook to “the coming weeks.” The board said it wanted more time to review the 9,000-plus comments submitted from the public. (Cristiano Lima / Politico)

⬇️ Trending down: Facebook is being sued for monetary damages by a digital rights group in the wake of the 2019 data scraping incident that recently came to light. I wrote about some of the nuances here last week. (Natasha Lomas / TechCrunch)

⬇️ Trending down: Clubhouse monthly downloads plunged 72 percent last month and have continued to decline in April. The app still has yet to arrive on Android, and competitors appear to have cloned it successfully. (Sean Burch / The Wrap)


Apple will let Parler back into the App Store after the company updated its content moderation policies. Separately Google said its terms have not yet been met. Here’s Brian Fung at CNN:

On April 14, Apple's app review team told Parler that its proposed changes were sufficient, the letter continued. Now, all Parler needs to do is to flip the switch.

"Apple anticipates that the updated Parler app will become available immediately upon Parler releasing it," Apple's letter said.

Facebook designated Minneapolis a “high-risk location” as a police officer stands trial for the murder of George Floyd. “The company will delete ‘severe’ attacks on [Derek] Chauvin, although Facebook considers the former officer a public figure for ‘voluntarily placing himself in the public eye’ — as opposed to Floyd, who is granted a higher standard of protection.” (Adi Robertson / The Verge)

A postmortem on the Amazon union election found that “pay, benefits and an aggressive anti-union campaign by the company helped generate votes at a warehouse in Alabama.” “Other workers said in interviews that they or their co-workers did not trust unions or had confidence in Amazon’s anti-union message that the workers could change the company from within.” (Karen Weise and Noam Schreiber / New York Times)

In its formal objection to the union election in Alabama, the Retail, Wholesale, and Department Store Union says Amazon improperly threatened workers with layoffs if they unionized. The RWDSU wants the results to be set aside because Amazon “created an atmosphere of confusion, coercion and/or fear of reprisals and thus interfered with the employees’ freedom of choice,” it said. (Kim Lyons / The Verge)

An Australian court found that Google “partially” misled consumers about its data collection practices. “The court found that Google continued to collect ‘Location History’ on some Android and Pixel phones, even for customers who ticked ‘No’ or ‘Do not collect’ on their settings.” Not great! (Namaan Zhou / Guardian)


Roblox will introduce content ratings amid concerns about sexual content on the kid-focused gaming platform. Here’s Julie Jargon at the Wall Street Journal:

The new Roblox content-rating system, Mr. Malan said, will provide a more nuanced look at what kids might encounter in a specific game, giving parents more control over what they feel is and isn’t OK for their kids. There’s no way to really know what a particular game entails until you play it. Mr. Malan said he couldn’t provide a specific time frame for the content-rating rollout.

RedditTalk is a Clubhouse competitor for subreddits. It’s in a small test now, but already available on Android. (Jay Peters / The Verge)

Nextdoor will alert users if it thinks they’re about to post something racist. “As with its previous Kindness Reminder, if a user tries to post something with words or phrases Nextdoor thinks may be objectionable, it will give them the option to edit the post before it actually goes live.” (Mitchell Clark / The Verge)

A leaked ByteDance memo showed that the company expects blockbuster revenue ahead of its IPO. “If ByteDance hits its sales goal, its Chinese arm will have done in nine years what it took Facebook 13 to achieve, and that excludes TikTok and other businesses abroad. At $40 billion, the nascent ad business would be roughly twice that of YouTube’s.” (Zheping Huang / Bloomberg)

Twitter banned Project Veritas founder James O’Keefe. O’Keefe promised to sue and then invited people to follow him on Telegram. (Aidan McLaughlin / Mediaite)

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